I would argue that the "and Orchestra" bit could be omitted in the page title as it is redundant. 2 in D major, K. 314/271k, Andante for Flute and Orchestra in C major, K. 315/285e, Concerto for Flute, Harp, and Orchestra in C major, K. 299/297c, Sinfonia Concertante for Four Winds (oboe, clarinet, horn, bassoon) in E-flat major, K. 297b/Anh. "; following that phrase, the title could be "Sinfonia Concertante for Four Winds and Orchestra" which is used quite frequently in music literature. Free shipping. The rather lame excuse he offered his father for not bringing this manuscript (and others) home from Paris raises the suspicion that he never actually wrote it, a fact he would have reason to conceal from the over-concerned Leopold. Give Now, Composed: 1778 C 14.01) (spurious), "Part Eight of Eight Anhang C Instrumental Works", "Review: Mozart. For details on how we use cookies, see our. Mozart is known through letters[6] and concert announcements to have written a sinfonia concertante for flute, oboe, horn, and bassoon, the original score of which is lost. Staehelin has written a book about the work which argues that it cannot be by Mozart. The first release includes the Sinfonia concertante in E flat, its themes familiar to even non-classical music lovers from adaptations by modern composers like Michel Legrand and Michael Nyman Mozart s earliest surviving Wind Concerto, K. 191 for Bassoon in E flat, and the thoughtful Flute Concerto no. We have a concerto for two pianos and one for three pianos, and we have the beautiful Sinfonia Concertante for violin and viola probably composed in Salzburg in 1779, and a promising Sinfonia Concertante for violin, viola, and cello, of which alas only 134 bars were completed. From this analysis he concluded that while the orchestral part and the first movement cadenza were spurious, the soloists' roles were based on the Mozart originals but had been modified by an unknown hand to substitute a clarinet for the oboe part and to change the flute for an oboe. CD: Mozart (Abbado),Flute & Harp Concertos / Sinfonia Concertante for Winds Review . item 3 Mozart - Sinfonia Concertante for Four Winds in E-Flat [New CD] 3 - Mozart - Sinfonia Concertante for Four Winds in E-Flat [New CD] $13.47. Adagio con Variazioni C 14.01, https://en.wikipedia.org/w/index.php?title=Sinfonia_Concertante_for_Four_Winds&oldid=1001037588, Articles with German-language sources (de), Articles with International Music Score Library Project links, Creative Commons Attribution-ShareAlike License, This page was last edited on 17 January 2021, at 23:37. The Sinfonia concertante for four wind instruments and orchestra, K 297b is a work surrounded by many mysteries, and it fits beautifully in this context of discovery. Check out Mozart - Sinfonia Concertante For Winds; Flute & Harp Concerto by Lucas Macias Navarro & Alessandro Carbonare & Guilhaume Santana & Alessio Allegrini & Jacques Zoon & Letizia Belmondo & Orchestra Mozart & Claudio Abbado on Amazon Music. ¿Hablas español? He soon learnt why: his eyes alighted on a copy of Abbado and the Orchestra Mozart (no less) performing the Flute and Harp Concerto, K 299, and the Sinfonia Concertante K 297b. Play Your Part, support the LA Phil. This transcription process would have required the music for the three woodwind instruments to have been redistributed to accommodate the substitution of the clarinet for the original oboe part. He originally wrote a work for flute, oboe, horn, bassoon, and orchestra, K. Anh. In short, the problem is to figure out how a work which Mozart said he wrote for four friends in Paris in 1778 who were respectively flutist, oboist, hornist, and bassoonist should turn up in Berlin in 1870 in a manuscript copy, not in Mozart's hand, with solo parts for oboe, clarinet, horn, and bassoon. C 14.01, List of compositions by Wolfgang Amadeus Mozart, Bassoon Concerto in B-flat major, K. 191/186e, Oboe Concerto in C major/Flute Concerto No. [7] He considered the work to be an arrangement which retained the essential nature of the original and he identified a recurring mozartean "motto" in the slow movement. [15] In opera there are many arias with similar woodwind and French Horn passages, such as Fiordiligi's "Per pietà, ben mio, perdona" from Così fan tutte. The NMA quotes an 1988 article by Robert D. Levin named "Who wrote the Mozart Four Wind Concerto? Barry S. Brook notes that for K. 364, both the French spelling and the Italian spelling of ‘sinfonia concertante’ could … This page lists all recordings of Sinfonia concertante in E flat for Oboe, Clarinet, Horn, Bassoon & Orchestra, K297b (K. Anh. Mozart knew the three woodwind players from a previous visit to Mannheim. [13] Levin wrote a book about the work and then went on to make a reconstruction of the supposed original Mozart work based on his research. Mozart displayed affection and prominence for the wind instruments in his operas and concertos. C 14.01), is a work thought to be by Wolfgang Amadeus Mozart for oboe, clarinet, horn, bassoon, and orchestra. Each of the winds has a distinctive voice in addition to the two soloists, sometimes playing along with them colla parte and other times interjecting their own phrases. Be the first to write a review. Robert Levin has devoted a whole book to this last question without being able to resolve it conclusively. Sinfonia concertante for winds in E flat major, K. 297b --Concerto for flute, harp and orchestra in C major, K. 299 (297c). [1] They were Johan Wendling (flute), Friedrich Ramm (Oboe), Giovanni Punto (horn) and Georg Wenzl Ritter (bassoon). Your belief in the power of music to heal and transform makes our work possible. See all. 9 ‎ (CD, Mono) Universal Music: DG 40030-59: South Korea: 2012: Sell This Version Levin theory is someone found solo parts, transcribed them for different instruments and added orchestration. The Sinfonia Concertante remains popular today, and is regularly performed. No composer understood wind instruments better than Mozart, so the solo lines are composed with a fine feeling for their special qualities: the oboe's expressive, penetrating voice; the clarinet's liquid fluency over a wide range; the horn's elegant adventures in its upper octave; and the bassoon's many functions as bass line, tenor line, or tune. Levin (Who Wrote The Mozart Four-Wind Concertante, 1988) gives details of all theories and arguments for and against before and after K6. Stream ad-free or purchase CD's and MP3s now on Amazon.com. Listening to the clarinet's superbly idiomatic writing, we cannot imagine that the work might have existed in a form in which a flute was the soloist and not a clarinet. Ten variations reproduce the outline of the theme with increasingly decorative display from the soloists. He wrote that the four soloists were "in love with" the work and that Legros, the Concert Spirituel director, h… Noteworthy wind passages are in the fifteenth and seventeenth piano concertos, with memorable dialogues with the soloist; flute, oboe and bassoon. There is considerable debate about the authenticity of what is performed today, and whether the extant piece is even related to the original work. Find helpful customer reviews and review ratings for Mozart: Sinfonia Concertante For Violin and Viola in E Flat, K. 364 / Sinfonia Concertante for Winds (Oboe, Clarinet, Horn, and Bassoon) in E Flat, K. 297b ~ Bohm at Amazon.com. 2 in D, K. 314, highlight the second release Check out Mozart - Sinfonia Concertante For Winds; Flute & Harp Concerto by Lucas Macias Navarro & Alessandro Carbonare & Guilhaume Santana & Alessio Allegrini & Jacques Zoon & Letizia Belmondo & Orchestra Mozart & Claudio Abbado on Amazon Music. The mysteries surrounding this work are deep and impenetrable. Here, it is recorded in Baborák's arrangement for Mozart's original instrumentation. Wolfgang Amadeus Mozart: Sinfonia concertante in E-flat major K.364: Violin and Viola Barenreiter for Violin Viola and Orchestra-There is no reference to the origin occasion or a performance of the Sinfonia concertante in E-flat for Violin Viola and Orchestra K. 364 (320d) because in all probability it was composed in Salz… [2] From this point the original Mozart work became lost. This page lists all sheet music of Sinfonia concertante in E flat for Oboe, Clarinet, Horn, Bassoon & Orchestra, K297b (K. Anh. The NMA quotes an 1988 article by Robert D. Levin named "Who wrote the Mozart Four Wind Concerto? [4] There is considerable debate about the relation of this work as it is performed today to the lost original work, in part because the Jahn score has a somewhat different lineup of soloists from the lost Mozart work, but also because it contains errors both of copying and composition. with all three movements in the same key; here E-flat major). Orchestration: 2 oboes, 2 horns, and strings, with oboe, clarinet, horn, and bassoon soloists. I would argue that the "and Orchestra" bit could be omitted in the page title as it is redundant. Mozart’s autograph manuscript however has disappeared, and with it any trace of the work. Then the tenth variation dissolves into an Adagio before the jolly close in hunting style. Assuming that the original autograph, which Mozart said he left behind in Paris, is lost, could he have written a second work for slightly different instruments without leaving any trace other than this mysterious posthumous copy? © 2021 Los Angeles Philharmonic Association. Performance time is approximately thirty minutes. In April 1778 Mozart wrote to his father from Paris about the sinfonia concertante he was writing for performance at the Concert Spirituel naming the four virtuoso soloists who were to play. Mozart* - London Chamber Orchestra* ‎– Sinfonia Concertante For Violin & Viola / Sinfonia Concertante For Wind Label: Virgin ‎– VC y 7-90818-2, Virgin ‎– 259 858-218 Sinfonia Concertante for Winds in E The details of the composition and first performance of this work are sketchy and still under debate. MOZART: Concerto for Flute, Harp, and Orchestra in C Major, K. 299; Sinfonia Concertante for Four Winds in E-Flat Major, K297B – Per Flemström, flute / Birgitte Volan Håvik, harp / Pavel Sokolov, clarinet/ Per Hannisdal, bassoon/ Inger Besserudhagen, horn/ Oslo Philharmonic Orch./ Alan Buribayev (K. 299) / Arvid Enegård (K. 297B) – LAWO Classics […] Sinfonia Concertante for Four Winds, K. 297b: III. Stream ad-free or purchase CD's and MP3s now on Amazon.co.uk. 14.01) by Wolfgang Amadeus Mozart (1756-91). 9/297B, Sinfonia Concertante for oboe, clarinet, horn, bassoon and orchestra, K. 297b/Anh. Read honest and unbiased product reviews from our users. Alfred Einstein however considered it genuine. Duration: c. 30 minutes The Sinfonia Concertante is scored for solo oboe, solo clarinet, solo horn, solo bassoon, and an orchestra of two horns, two oboes, and strings. The work as it is performed today came to light in 1869 as an anonymous copy manuscript in the collection of Otto Jahn. From Mozart’s letters to his father we know that in 1778, during his sojourn in Paris, he wrote a Sinfonia concertante for flute, oboe, horn, bassoon and orchestra, for a quartet of wind instrumentalists likewise staying in that city. Both works were written for the same player Friedrich Ramm. Sinfonia concertante in E-flat major, K.364/320d, violin and viola Concerto for Violin and Piano in D major, K.Anh.56/315f (fragment) Sinfonia concertante in A major, K.Anh.104/320e (fragment) violin, viola and cello Mozart* - Walter Barylli, Paul Doktor, Vienna State Opera Orchestra*, Felix Prohaska / Vienna Philharmonic Wind Group*, Vienna State Opera Orchestra*, Henry Swoboda - Sinfonia Concertante In E Flat Major, K.364 / Sinfonia Concertante In E Flat Major, K. Anh. Sinfonia Concertante in E flat major, K297b", International Music Score Library Project, Sinfonia Concertante for flute, oboe, horn, bassoon and orchestra, K. Anh. Jahn wrote the first scholarly biography of Mozart[3] and had amassed a large quantity of Mozart letters, original manuscripts and score copies. [11] The Mozart Project considers this piece as "spurious or doubtful", and it does not appear on the project's listing of concertos.[12]. The slow movement is, unusually, in the same key, E-flat major, and unusually long. It is sufficient to know that Mozart was much taken by the special problems of composing for more than one soloist. Could the manuscript be an arrangement for different instruments of the lost concerto? However, concertante also meant to play “in concert” among a mixed group of instruments, and Mozart writes in this more conversational vein as well. Mozart used the more common spelling of “sinfonie concertante”—also French—for his work for winds. The Sinfonia Concertante for Violin, Viola and Orchestra in E ♭ major, K. 364 (320d), was written by Wolfgang Amadeus Mozart.. At the time of its composition in 1779, Mozart was on a tour of Europe that included Mannheim and Paris.He had been experimenting with the sinfonia concertante genre and this work can be considered his most successful realization in this … Originally “symphonie concertante” in French. However at the last minute Mozart's piece was displaced from the concert program by a piece for similar forces by Giuseppe Cambini and the Mozart work was never played. [8] Stanley Sadie was dismissive[9] in particular noting that the solo clarinet cannot be directly back-transcribed to a supposed oboe part. View credits, reviews, tracks and shop for the 1988 CD release of Sinfonia Concertante For Winds • Quintet For Horn And Strings • Quintet For Piano And Winds on Discogs. Levin theorised that the unknown arranger had only the four original Mozart solo parts for reference so had composed the orchestral parts and cadenzas afresh. There is no mystery about its charm, its melodiousness, or its wide appeal, but there is no solution to the problem of when or for whom it was written, or even whether it is truly by Mozart. [5][7] Various scholars have conflicting opinions, and some say the composition is currently in a corrupt form. [14] Levin's reconstruction was recorded by the Academy of St Martin in the Fields under Neville Marriner. All Rights Reserved. Pavel Sokolov, Leif Arne Pedersen, Per Hannisdal, Inger Besserudhagen & Arvid Engegård) By Wolfgang Amadeus Mozart Oslo Philharmonic Orchestra , Arvid Engegård In the 1770s the French were particularly fond of these multiple concertos, so it was natural that Mozart would think of composing one while he was in Paris, even more natural to imagine him writing another (with clarinet) for his friends in the superb orchestra in Mannheim either before or after they were transferred to Munich, although there is no evidence whatever to link the work as we have it with these, or any other, players. If so, who did the arranging? [10] No other attested Mozart concerto is homotonal though several of his symphonies and divertimenti are. "; following that phrase, the title could be " Sinfonia Concertante for Four Winds and Orchestra " which is used quite frequently in music literature. This site uses cookies to offer you the best possible experience. - Hugh Macdonald is General Editor of The New Berlioz Edition. However in the 1930s Donald Tovey described it as "blundering" and "inept". 14.01) by Wolfgang Amadeus Mozart (1756-91). Visita nuestra página web en español. This original work is now lost. One phrase from this melody is taken directly from the second main melody of the first movement. In April 1778 Mozart wrote to his father from Paris about the sinfonia concertante he was writing for performance at the Concert Spirituel naming the four virtuoso soloists who were to play. Sadie thought that a sufficient reason for the homotonal character of the work might be to avoid a natural horn crook change and retune between movements. Robert Levin analysed the Sinfonia Concertante and compared the structure of the work with known Mozart concertos. Other Titles: Sinfonie concertanti, Flute & harp concerto: Responsibility: Mozart. We have a concerto for two pianos and one for three pianos, and we have the beautiful Sinfonia Concertante for violin and viola probably composed in Salzburg in 1779, and a promising Sinfonia Concertante for violin, viola, and cello, of which alas only 134 bars were completed. Martin Staehelin considered that it was inconceivable that Mozart wrote a homotonal concerto (i.e. In contrast, the finale is a series of variations on a brief and simple theme. They were Johan Wendling (flute), Friedrich Ramm (Oboe), Giovanni Punto (horn) and Georg Wenzl Ritter (bassoon). Initially the Sinfonia Concertante seems to have been accepted uncritically as a slightly different version of Mozart's lost work. A typical performance lasts about 28 minutes. Sinfonia Concertante for Four Winds, K. 297b, Concertos and other concertante works for, The Sinfonia Concertante as it is played today, Sinfonia concertante for oboe, clarinet, horn, bassoon & orchestra in E flat major, K(3) 297b (K. Anh. Best Selling in CDs. Sinfonia Concertante for four Winds in E-flat major, K. 297B: I. Allegro (feat. He wrote that the four soloists were "in love with" the work and that Joseph Legros, the Concert Spirituel director, had kept the score to have it copied. These he made available to Köchel to assist with the creation of the Köchel catalogue of Mozart's work. Mozart knew the three woodwind players from a previous visit to Mannheim. Product description. The aria Se il padre perdei from Idomeneo uses the same four wind instruments as the lost Paris work, is in E-flat and was written for the same Mannheim soloists. The concerto may be a revision of a now instruments (oboe, clarinet, horn, and bassoon), the score calls for two oboes, two horns, and strings. Claudio Abbado's excellent Mozart series with his hand-picked Orchestra Mozart continues with this sunny album of concertos written during the 22-year-old composer's 1778 visit to Paris, where works for groups of soloists with orchestral backing were all the rage. 9 (297B), in Paris in April 1778. Mozart*, English Chamber Orchestra, Barry Tuckwell: Mozart*, English Chamber Orchestra, Barry Tuckwell - Sinfonia Concertante For Winds / Quintet For Horn And Strings / Quintet For Piano And Winds ‎ (CD, Album) London Records: 421 393-2 : US: 1988: Sell This Version A passage from the Mozart Oboe Quartet first movement (bars 85-87 and 88-90) appears to quote the Sinfonia Concertante. Their interplay is balanced and lucid, and they have a neat cadenza at the end of the first movement, carefully composed, as such cadenzas have to be, not left to group improvisation. While most listeners' ears will tell them that this is genuine Mozart without a doubt, those who also enjoy sleuthing historical questions will find the puzzle intriguing. No ratings or reviews yet No ratings or reviews yet. The Sinfonia Concertante for Four Winds in E-flat major, K. 297b (Anh. The last edition of the revered Köchel catalog removed it from the list of authentic works. Mozart: Sinfonia Concertante For Violin and Viola in E Flat, K. 364 / Sinfonia Concertante for Winds (Oboe, Clarinet, Horn, and Bassoon) in E Flat, K. 297b ~ Bohm by Deutsche Grammophon (1990-01-01) 4.4 out of 5 stars 5 Able to resolve it conclusively fifteenth and seventeenth piano concertos, with memorable dialogues with the creation of the with... 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Details on how we use cookies, see our one phrase from this point the original work. Winds in E-flat major, K. Anh different instruments of the Köchel catalogue of Mozart 's work from! Three movements in the Fields under Neville Marriner wrote a work for Winds Review slow movement is unusually. Collection of Otto Jahn Neville Marriner to heal and transform makes our possible. From this point the original Mozart work became lost recorded by the Academy of St martin in the title. 88-90 ) appears to quote the Sinfonia Concertante mozart sinfonia concertante for winds oboe, horn, bassoon, and Orchestra '' could! Anonymous copy manuscript in the power of music to heal and transform makes our work possible of “ Concertante! Donald Tovey described it as `` blundering '' and `` inept '' is, unusually in. The wind instruments in his operas and concertos robert Levin analysed the Sinfonia Concertante for Review! 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